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Top Records of 2013!!!!!!

Top Played New Records of 2013:

  1. Thee Oh Sees – Floating Coffin
  2. Shannon and the Clams – Dreams In The Rat House
  3. Cool Ghouls – Cool Ghouls
  4. Toro Y Moi – Anything In Return
  5. White Fence – Cyclops Reap
  6. Fuzz – Fuzz
  7. Bleached – Ride Your Heart
  8. Jose James – No Beginning No End
  9. Bombino – Nomad
  10. Dead Ghosts – Can’t Get No
  11. Night Beats – Sonic Bloom
  12. Red Baraat – Big Talk
  13. Charles Bradley – Victim of Love
  14. Coke Weed – Back to Soft
  15. Local Natives – Hummingbird

Here’s a video for Thee Oh Sees’ Minotaur off of KZSC’s most played album of 2013, Floating Coffin:

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HAPPY NEW YEAR from Promotions!

2014HAPPY 2014!

KZSC  is back on the air and it’s time to kick off the new year with some sweet swag (as the kids says these days). KZSC has your share of tickets for some up and coming shows. We are giving away concert tickets, movie tickets and much more! Listen in to win your share of swag!

Here are the fabulous shows you can win a pair of tickets to:

* Ancient Future Duet @ Don Quixote’s in Felton on January 12.

* Led Zeppelin Live starring HEARTBREAKER @ Don Quixote’s on January 17.

* Booker T. Jones performing at Kuumbwa Jazz Center on January 20

*Dr. Dog will be performing at The Warfield in San Francisco on March 1st and KZSC is giving away three pairs!

Listen to KZSC on your radio or anywhere else by downloading the KZSC app on your smartphone, tablet, or computer. You can also like us on Facebook to get the latest news on what is happening at the station.

Look for ticket giveaways on our Facebook page too!

 

Top Ten Icon

Brootalisk’s Top Ten Loud Rock Albums of 2013

When each year is over, I’m always at a loss for how to summarize what a phenomenal year it’s been for metal, and 2013 was no different. It was the first year ever that a metal album was named the best record of the year by Metacritic, that Justin Bieber made his love for Metallica known, and that a metal cover of a pop song was voted to be the best out of 30 other covers. Normally, I wouldn’t give a flying fuck about these sensationalist news articles that exist only to get ratings and views. However, my recent trip to New York for the CMJ convention really taught me a lot about where the genre of metal stands right now in the grand scheme of things. To put it short: we metal heads NEED these kind of attention whoring events. With the music industry as a whole becoming less and less of a viable and sustainable option for many, the metal genre too is hurting because it’s not receiving the attention (and therefore sales) that it used to get back in the ’80s and early ’90s. That’s why I encourage people like Justin Bieber to wear a Metallica shirt, or for Kanye West to don “heavy metal” pants, no matter how atrocious they are. At least the metal genre is garnering more attention now than it has in the past decade. And while you may discourage attention from “non-trve” fans, keep in mind that the more attention the genre gets, the more sales, and thus money, it receives, which in turn emboldens upcoming artists to make new and exciting material, which (hopefully) garners more attention, and so on, until the circle of life is complete. /endrant

With that long winded tirade out of the way, let’s get back to what we’re all here for: me showing you a list of pretentious albums that you probably don’t care about but feel like you should because they’re my favorite albums of 2013. If you think you know better than I do, feel free to reply below, and I’ll take your choice into consideration as I cure cancer and solve world peace.

 

Entities

10) Pomegranate TigerEntities

Entities isn’t just a great album; it’s a great instrumental album, something that is becoming increasingly difficult to do in today’s over saturated instru-metal genre. What ‘s even more impressive is the fact that Pomegranate Tiger have managed to create an album that’s just as technically advanced as the frontrunners of the genre (see: Animals as Leaders, Scale the Summit) while also being a coherent piece of art. And it’s exactly that: the progressive metal outfit have created a work that doesn’t just flaunt their prowess, but progresses the waterlogged brand of music, something that was desperately needed.

Recommended Tracks: 2, 5, 11

 

 

 

 

 


Gorguts-Colored-Sands9) Gorguts
Colored Sands

I remember seeing Gorguts last year when they played with the Death to All group in San Francisco and thinking to myself, “This does not sound like a band whose last album was released eleven years ago.” Indeed, a year later, Gorguts has come out to show all the posers how it’s done with Colored Sands. With the record, Gorguts combines a few tricks they’ve learned with the trademarked technical brutality that they are just so damn good at. Couple that with the prowess of Kevin Hufnagel (of Dysrhythmia fame), and you’ve got one undeniably sexy record.

Recommended Tracks: 2, 3 9

 

 

 

 

 

Russian-Circles-Memorial8) Russian Circles – Memorial

Arguably the most elegant release this year, Memorial is an amalgamation of everything Russian Circles has been up to this point. While “Deficit” showcases their inhuman capacity for catchy hooks, “1777” extracts itself from Russian Circles’ earlier moments featuring beautiful soaring melodies that transcends everything in its class. Unfortunately, Russian Circles apparently suffers from a short attention span, as the album is well under normal LP length times. Clocking in at 37 minutes, its just 7 minutes longer than Between the Buried and Me’s Parallax EP. An unfair comparison maybe, but it is worth noting. Nevertheless, less of a great thing is a good problem to have, and it’s still an achievement in of itself to accomplish so much with so little.

Recommended Tracks: 2, 3, 6

 

 

 

 

 

pth7) Protest the Hero – Volition

Tell me, what were you thinking when Protest the Hero successfully funded their newest album Volition via Kickstarter? Were you thinking that the album would be as good as it was? Because I sure as hell was not. I was half expecting Choady to just run off with the money and buy as much cheap booze $300,000 could get him. Instead of shitty liquor, we’ve gotten Volition in return, and what an investment. The album’s chock full of what you’d expect from P T to the motherfucking H, but it’s also got a much more mature feel than their last effort. The record also harks back to the good ol’ days of Kezia, and even has a direct reference to Fortress in “Animal Bones,” which, if we’re being honest, I am a huge sucker for.

Recommended Tracks: 2, 5, 10


 

 

 

 

Altar-of-Plagues-Teethed-Glory6) Altar of Plagues – Teethed Glory and Injury

While Altar of Plagues is regrettably no more, we can celebrate their previous existence with their unforgettably enduring swan song that is Teethed Glory and Injury. During the album’s intense 48 minutes, you can definitively detect the painstaking detail that went into each and every note of the album. This record will chill you to your very core. It will rattle your mind. There is nothing easy about this album, which makes it that much more great. Unlocking an album of this magnitude takes time, but it is time well worth investing.

Recommended Tracks: 2, 5, 9

 

 

 

 

 

Vertikal+cult_of_luna5) Cult of LunaVertikal

My deeply personal inner struggles with the ISIS disbandment has left many emotional scars on me, causing me to have trust issues with post-metal bands. However, there is one outfit that I can always have confidence in: Cult of Luna. With Vertikal, they’ve solidified what I’ve always known: they’re the best active post-metal ensemble right now (come at me Neurosis). And what a way to showcase their vast expertise and knowledge: Vertikal is a concept album that, at its core, deals with a government who is corrupted in a big-brother fashion. With the NSA scandal, never before is such a notion as relevant as it is today, and Vertikal was released before that defamation even occurred. Either Cult of Luna are indeed really good at writing concept albums, or they’re psychics from another dimension. I’m leaning towards the latter.

Recommended Tracks: 2, 6, 8

 

 

 

 


Deafheaven-Sunbather4) Deafheaven
– Sunbather

No band on this list, and potentially in all of metal, shows more blinding potential than San Francisco’s own Deafheaven. Everywhere I look, George Clark (vocalist) is right there with his creepy ass stare. Hell, they were even in an Apple advertisement for fuck’s sake. Combine their increase in popularity with an entrancing live performance, and there’s only one thing missing for this band to blow up: good music. HAH. Just kidding. Sunbather kicks monumental anus. The record perfectly treads the line between uplifting affection and sinister despair. 

Recommended Tracks: 1, 5, 7

 

 

 

 

 

 

Ovid's Withering Scryers of the Ibis3) Ovid’s Withering – Scryers of the Ibis

Talk about coming out of nowhere. By the time I had heard this album for the first time, I already had my top ten list nicely made and organized, and Ovid’s Withering throws their debut album right out of left field to fuck everything up. And I couldn’t be happier about it. Scryers of the Ibis is everything I have ever wanted from a technical metal record, and more that I couldn’t have ever dreamed of. From the absurdly destructive riffs to the intricately and impeccably placed electronic segments, Scryers of the Ibis is one of the greatest debuts of any technical metal outfit in history. Period.

Recommended Tracks: 4, 8, 12

 

 

 

 

 

 

 

Leprous Coal2) Leprous – Coal

Coal is arguably the most criminally overlooked album this year. It’s also one of the best progressive metal albums in recent years. No more is Leprous just Ihsahn’s “back up band.” Gone is the looming moniker of “Opeth wannabes.” Leprous is a genuinely original band with a hell of a lot of talent, and Coal features every aspect of their incredible musicianship. From Einar’s soaring vocals to the ridiculously catchy rhythms by bassist Martin, this album has everything you would ever want from a progressive metal record. Also, I don’t care what anyone says, but “The Valley” is undoubtedly the best song of the year.

Recommended Tracks: 2, 3, 5

 

 

 

 

 

TheOcean-Pelagial1) The Ocean – Pelagial

Ultimately, there’s not much to say about a #1 album of the year except to simply yell through your computer LISTEN TO THIS GODDAMN ALBUM OR I WILL SHOVE IT INSIDE YOUR EARHOLES. Assuming you have listened to it, here’s a reason why this is the definitive metal record of the year: it’s a concept album about the motherfucking depths of the ocean written by a band called The Ocean. All kidding aside, Pelagial is, in this humble writer’s opinion, the epitome of a perfectly executed metal record. It’s coherent in every sense of the word. Each song flows flawlessly into each other. Everything is meticulously placed where it should be while still feeling natural and organic. It is the perfect mix of experimentation and execution. There will never be another record quite like Pelagial, and because of it there will never be another year quite like 2013.


Recommended Tracks: 2, 4, 9

Loud Rock Charts January 7th

1    LEGION OF THE DAMNED    Ravenous Plague    Napalm
2    ICELAND    Iceland    Glacier
3    ATOM STRANGE    The Lost Cosmonauts    RayGun
4    EVERY MAN IS AN ISLAND    Beyond    Norcal
CHARTS

1    PROTEST THE HERO    Volition    Razor and Tie
2    AGHORI    Transcending The Illusion    THC
3    LORDS OF RUIN    Life Is A War [EP]    1605
4    IMPENDING DOOM    Death Will Reign    eOne
5    AFTER THE BURIAL    Wolves Within    Sumerian
6    NEGATIVE SKY    Death Of The Sun    Zenergy
7    NORTHLANE    Singularity    UNFD
8    APOCALYPTICA    Wagner Reloaded    BMG
9    SKELETONWITCH    Serpents Unleashed    Prosthetic
10    PENTAGRAM CHILE    The Malefice    Metal Blade

Hillbillies from Mars

Hillbillies from Mars, Sun Jan 5th

The Hillbillies from Mars will be landing at the Felton Community Hall for the first Sunday of the month Contra Dance sponsored by the non-profit Santa Cruz Traditional Dancers on January 5, 2014 at 7:00pm. The Hillbillies are a favorite dance band from the San Francisco Bay Area that’s been together since 1982, combining elements of Celtic and American traditional fiddle music blended with some swing, Latin and African rhythms to keep your feet moving. The band includes interstellar musicians Kevin Carr (fiddle, bagpipes, accordion, banjo), Ray Bierl (fiddle, guitar), Paul Kotapish (mandolin, guitar, percussion), and Daniel Steinberg (keyboards, flute, percussion). Susan Petrick will be prompting the dances. While you can pick up the dance moves on the fly, you’re welcome to attend a newcomers orientation session at 6:40pm for a head start. The tradition of contra dancing involves frequent changes of partners and movements with everyone in the room, so you’re welcome to come alone or bring a friend.

wet monday

Winter Schedule Underway

This may be the closest we’ll get to a wet day in Santa Cruz for a while, however The Great 88 is going to “make it rain” new programs in our winter schedule. And just so you don’t feel drenched in change, we’ve kept many of your favorites too. Keep an eye on our website’s Schedule/Playlist page for more info; the new schedule pours into your ears starting Monday, January 20th.