There are several camps of AC/DC fans. Some refuse to listen to anything without lead singer Bon Scott. Ronald Belford (aka “Bon”) Scott served as front man for the Aussie rockers through the “Highway to Hell” album. His 1980 death after a night out in London inspired the band to record a tribute LP, “Back in Black” which has become the third best-selling album of all time. Yet another salute to the Bon Scott version of AC/DC comes to The Catalyst in downtown Santa Cruz Thursday, August 16th in the form of tribute band Touched Too Much. Doors open at 8:30; the rock & roll danger begins at 9 pm.
You only have less than 5 days to catch some of the “here and now” of contemporary works for Orchestra! The 50th Cabrillo Contemporary Music Festival is here again in Downtown Santa Cruz. Taking place through this upcoming Sunday August 12th, The Cabrillo Music Festival is bringing emerging composers as well as professional musicians and guest artists from across the world. Much of the music is not even one year old! Music critic Allan Ulrich spoke of the festival by saying, “…in the surf mecca of Santa Cruz, 75 miles south of San Francisco, the Cabrillo Festival has made the contemporary repertoire sound urgent, indispensable and even sexy.” So head on down to the Santa Cruz Civic Auditorium to hear some fresh, beautiful, and even sexy orchestral pieces! There are even free open rehearsals perfect for dropping by anytime.
For more information or to purchase tickets, head on over to: http://cabrillomusic.org/
Here’s a chance to spend a summer afternoon with The White Album Ensemble and your favorite Beatles songs. On Tuesday, August 5th they will perform a matinee at the Kuumbwa Jazz Center at 3 pm featuring animal songs by The Beatles. Favorites like “Blackbird”, “Rocky Raccoon” and “Octopus’s Garden” will no doubt be joined by “Yellow Submarine” and more during the 60 minute set. There’s special price for Beatle fans age 12 and under too.
An “Beatles Unplugged” evening show on acoustic guitars, piano and microphones for the older set begins at 7:30. Beer, wine and food will be served at the Jazz Café inside. The Kuumbwa is located on Cedar Street in downtown Santa Cruz. These shows will no doubt sell out; tickets are available at in advance Streetlight Records in Santa Cruz.
Jorma Kaukonen and Jack Casady were bored. Jefferson Airplane’s success during the late 1960′s wasn’t enough to fill their time so they began opening shows with a new band, Hot Tuna. In September of 1969 a week of concerts performed at the New Orleans House in Berkeley were recorded and released as a live album featuring acoustic guitar, harmonica and electric bass. No drums, wah-wah or frenzied feedback; surprisingly different for rock musicians at the time. Jorma & Jack return to The Rio Theatre in Santa Cruz with acoustic Hot Tuna music Saturday, July 28th. Showtime is 8 pm. Come see how little has changed; tie-dye optional.
Imagine being a jazz musician in your early 20′s. You get your start in college by playing with Benny Carter and Dizzy Gillespie.This was the case for Chicago-born guitarist Stanley Jordan. In time he developed a signature guitar technique; a unique finger-tapping skill that allows him to play melodies and chords simultaneously. Mr. Jordan always brings along some customized instruments that often must be seen to be believed. Guitar great Stanley Jordan returns to the Kuumbwa Jazz Center in downtown Santa Cruz Monday, July 23rd. Showtime is 7 pm.
From the soggy town of Seattle comes Pasatempo, a band specializing in old-style music from the Greek underworld, known as “Rebetika” along with other music from the Balkans. They’ll be in concert at Don Quixote’s in Felton, CA on Thursday, July 19th, 2012 at 7:30pm. Led by the husband and wife team of Christos Govetas (vocals, bouzouki and baglama) and Ruth Hunter (vocals, accordion and former member of the Santa Cruz Balkan band Medna Usta) the ensemble also includes Dave Bartley (guitar), Hank Bradley (“The Poison Coyote Kid” on bouzouki), Steve Ramsay (baglama) and Bill Lanphier (double bass) for that wall of emotional sound reflecting the full gamut of sorrow and joy.
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