Gabe Kittle

Poet Gabe Kittle, Live on KZSC–Thurs July 17 at 7PM

Thursday July 17th be sure to tune in to “Happy beyond words” with me, DJ Roux, to hear a special live poetry reading with Gabe Kittle, a local poet and teacher! He will be sharing his poetry with us as well as talking about his poetry workshop at the tannery arts center and his upcoming projects. It’s sure to be very exciting and I hope you all tune in!

Check out Gabe reading “Writing a new world,” in a film by Jake Cushnir.

fonzie + gibbs

Fonzie Interviews Freddie Gibbs!

Fonzie got a chance to ask Freddie Gibbs a few questions before his show on Sunday, June 1st at the Catalyst on Tech N9ne’s Independent Grind 2014 Tour!

Check it out: [youtube http://www.youtube.com/watch?v=y8RJTSQqoNU?rel=0&w=960&h=540]

Stay tuned for more interviews with Fonzie coming to the KZSC blog soon!

fonzie + antwon

Fonzie Interviews Antwon!

Fonzie caught up with world-famous San Jose rapper Antwon in February. Listen to it here!

You can stream Antwon’s new album Heavy Hearted In Doldrums via Pitchfork advance here. Make sure to download it when it officially releases May 6!

Tune in to Fonzie’s programs The Fonzie Scheme and The Illest Villains Monday nights and Tuesday nights at 10 pm!

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Hospitality Interview at Rickshaw Stop

Brooklyn trio Hospitality recently released their Sophomore LP, Trouble, on Merge. They have been supporting the album with a nation-wide tour and are about to go overseas starting in May. I was lucky enough to catch up with Amber Papini (guitar, vocals) and Brian Betancourt (bass) before their show at Rickshaw Stop in San Francisco last February. In our interview, we cover influences for their new darker sound, what they’ve been listening to lately, and upcoming releases for the band. Friends of the band, Airwaves, opened as well as Matt Kivel, who you can hear sound-checking in the background.

Stream the full interview below:

 

 

Marling

Laura Marling

This post (and picture) comes courtesy of DJ Compost, one of the hosts of KZSC’s “Dead Energy” program.

Full Disclosure: The last time I saw Laura Marling in concert, it was before I came to KZSC. I used  a fake press pass to get into the 21+ venue. With a hand-crafted and surprisingly legitimate looking photo ID badge and the acting skills of Nicholas Cage on a good day, I somehow got into the show. When I told Laura about it after her performance, she called me a “fucking genius” and told me of her own experiences as an underage music aficionado in England where she’d sneak into shows with nothing more than fake DJ equipment and confidence. A bonding moment to remember. I recently saw Laura again at the Great American Music Hall in San Francisco and this time, as a real media-type person. Laura walked on stage to a microphone stand three inches taller than her pixie-like self. Standing on her tiptoes, she timidly chimed “hello,” before beginning to play. I thought she’d adjust her mic to better accommodate her height, but she never did. It seemed strategic for the self-proclaimed and endearingly awkward folk singer to hold her head craned upwards where her eyes could easily travel to the ceiling. She opened with the first four songs from her new album, “Once I Was An Eagle”, each one blending seamlessly into the next, which built to the fifth and angriest track on the album, “Master Hunter.” Laura joked that if she were us, she’d be rioting against hearing new material, then played a pair of brand new songs. Apologizing for her lack of bantering skills, she laughed ironically then announced, “Now for the hits”  and played gems from her previous three albums plus a beautiful Townes Van Zandt cover of “For the Sake of the Song.” Laura let us get to know her during the next hour and a half, but only as much as she wanted, keeping parts of herself hidden away-dark, mysterious, vulnerable and inviting at the same time. Closing with “Where Can I Go?” from “Once I Was An Eagle”, Laura cooed gently: “I am cold and I am bright/ It’s a curse of mine to be sad at night.” At 23 years old, she seems to bare more of the world on her shoulders than she should have to; a blessing and a curse as a songwriter. She voices an honest vulnerability that is absolutely inspiring as if she’s swallowed up the entire world and spat out the good in beautiful prose and the bad in fiery spurts of fury. Find out more about Laura Marling at her website and listen for her on KZSC.