What shock to the system for the station to be off the air at the end of 2013 for some tower maintenance. We lost track of how many people asked us why they could not get the great 88 tuned in, at home, at work or in their car. It was nice to be missed during the short break in programming. KZSC is glad to be part of the daily life of so many listeners in the Monterey Bay area and beyond. Our DJs are back on the air 18 hours a day, and the robot waits patiently for its graveyard shift. Your 2014 radio will be sounding just fine on the left-hand side of the dial. Death to dead air! Long live the new ear!
The year is 1973, and five German musicians, some former students of avant-garde composer Karlheinz Stockhausen, at least one found on a street corner, picked up at the last minute to sing at a show that night. These musicians make up Can, the perpetually-ahead-of-their-time group whose music has stood as a shining example of artistry and the power of musicianship to create something wholly unique. Where Can’s previous three albums – the brilliantly shambolic Monster Movie, the wild and jammy Tago Mago, and the frenetic, minimalist funk of Ege Bamyasi – were delirious exercises in the music’s monolithic power, for their fourth album (and final album with vocalist Damo Suzuki), Future Days, the band took possibly the most surprising left turn they could: they mellowed out. Where many groups might have lost their spark in these circumstances, Can were able to gracefully adapt their sound into a proto-ambient mix of mellow guitars, swirling keyboards, siren-call vocals, warm bass, and the best drumming you will ever hear. From the opening track (also the title track), with its vocals like a beam from a heaven where the angels drop acid, all the way through the final monumental twenty minutes of “Bel Air”, Future Days ebbs like transmissions from the depths of the ocean, interstellar whale songs holding the secrets to the universe. Four decades later, the album still sounds fresh, and is a testament to the ingenuity and creativity of the band. Listen to each of the four songs below, and bask in the sweet glow of Can.
“Future Days”: http://www.youtube.com/watch?v=PXX5-p6sUwI
“Bel Air”: http://www.youtube.com/watch?v=YGQKGpjl1Fg
Top Played New Records of 2013:
- Thee Oh Sees – Floating Coffin
- Shannon and the Clams – Dreams In The Rat House
- Cool Ghouls – Cool Ghouls
- Toro Y Moi – Anything In Return
- White Fence – Cyclops Reap
- Fuzz – Fuzz
- Bleached – Ride Your Heart
- Jose James – No Beginning No End
- Bombino – Nomad
- Dead Ghosts – Can’t Get No
- Night Beats – Sonic Bloom
- Red Baraat – Big Talk
- Charles Bradley – Victim of Love
- Coke Weed – Back to Soft
- Local Natives – Hummingbird
Here’s a video for Thee Oh Sees’ Minotaur off of KZSC’s most played album of 2013, Floating Coffin:
KZSC is back on the air and it’s time to kick off the new year with some sweet swag (as the kids says these days). KZSC has your share of tickets for some up and coming shows. We are giving away concert tickets, movie tickets and much more! Listen in to win your share of swag!
Here are the fabulous shows you can win a pair of tickets to:
* Ancient Future Duet @ Don Quixote’s in Felton on January 12.
* Led Zeppelin Live starring HEARTBREAKER @ Don Quixote’s on January 17.
* Booker T. Jones performing at Kuumbwa Jazz Center on January 20
*Dr. Dog will be performing at The Warfield in San Francisco on March 1st and KZSC is giving away three pairs!
Listen to KZSC on your radio or anywhere else by downloading the KZSC app on your smartphone, tablet, or computer. You can also like us on Facebook to get the latest news on what is happening at the station.
Look for ticket giveaways on our Facebook page too!
When each year is over, I’m always at a loss for how to summarize what a phenomenal year it’s been for metal, and 2013 was no different. It was the first year ever that a metal album was named the best record of the year by Metacritic, that Justin Bieber made his love for Metallica known, and that a metal cover of a pop song was voted to be the best out of 30 other covers. Normally, I wouldn’t give a flying fuck about these sensationalist news articles that exist only to get ratings and views. However, my recent trip to New York for the CMJ convention really taught me a lot about where the genre of metal stands right now in the grand scheme of things. To put it short: we metal heads NEED these kind of attention whoring events. With the music industry as a whole becoming less and less of a viable and sustainable option for many, the metal genre too is hurting because it’s not receiving the attention (and therefore sales) that it used to get back in the ’80s and early ’90s. That’s why I encourage people like Justin Bieber to wear a Metallica shirt, or for Kanye West to don “heavy metal” pants, no matter how atrocious they are. At least the metal genre is garnering more attention now than it has in the past decade. And while you may discourage attention from “non-trve” fans, keep in mind that the more attention the genre gets, the more sales, and thus money, it receives, which in turn emboldens upcoming artists to make new and exciting material, which (hopefully) garners more attention, and so on, until the circle of life is complete. /endrant
With that long winded tirade out of the way, let’s get back to what we’re all here for: me showing you a list of pretentious albums that you probably don’t care about but feel like you should because they’re my favorite albums of 2013. If you think you know better than I do, feel free to reply below, and I’ll take your choice into consideration as I cure cancer and solve world peace.
10) Pomegranate Tiger – Entities
Entities isn’t just a great album; it’s a great instrumental album, something that is becoming increasingly difficult to do in today’s over saturated instru-metal genre. What ‘s even more impressive is the fact that Pomegranate Tiger have managed to create an album that’s just as technically advanced as the frontrunners of the genre (see: Animals as Leaders, Scale the Summit) while also being a coherent piece of art. And it’s exactly that: the progressive metal outfit have created a work that doesn’t just flaunt their prowess, but progresses the waterlogged brand of music, something that was desperately needed.
Recommended Tracks: 2, 5, 11
I remember seeing Gorguts last year when they played with the Death to All group in San Francisco and thinking to myself, “This does not sound like a band whose last album was released eleven years ago.” Indeed, a year later, Gorguts has come out to show all the posers how it’s done with Colored Sands. With the record, Gorguts combines a few tricks they’ve learned with the trademarked technical brutality that they are just so damn good at. Couple that with the prowess of Kevin Hufnagel (of Dysrhythmia fame), and you’ve got one undeniably sexy record.
Recommended Tracks: 2, 3 9
Arguably the most elegant release this year, Memorial is an amalgamation of everything Russian Circles has been up to this point. While “Deficit” showcases their inhuman capacity for catchy hooks, “1777” extracts itself from Russian Circles’ earlier moments featuring beautiful soaring melodies that transcends everything in its class. Unfortunately, Russian Circles apparently suffers from a short attention span, as the album is well under normal LP length times. Clocking in at 37 minutes, its just 7 minutes longer than Between the Buried and Me’s Parallax EP. An unfair comparison maybe, but it is worth noting. Nevertheless, less of a great thing is a good problem to have, and it’s still an achievement in of itself to accomplish so much with so little.
Recommended Tracks: 2, 3, 6
Tell me, what were you thinking when Protest the Hero successfully funded their newest album Volition via Kickstarter? Were you thinking that the album would be as good as it was? Because I sure as hell was not. I was half expecting Choady to just run off with the money and buy as much cheap booze $300,000 could get him. Instead of shitty liquor, we’ve gotten Volition in return, and what an investment. The album’s chock full of what you’d expect from P T to the motherfucking H, but it’s also got a much more mature feel than their last effort. The record also harks back to the good ol’ days of Kezia, and even has a direct reference to Fortress in “Animal Bones,” which, if we’re being honest, I am a huge sucker for.
Recommended Tracks: 2, 5, 10
While Altar of Plagues is regrettably no more, we can celebrate their previous existence with their unforgettably enduring swan song that is Teethed Glory and Injury. During the album’s intense 48 minutes, you can definitively detect the painstaking detail that went into each and every note of the album. This record will chill you to your very core. It will rattle your mind. There is nothing easy about this album, which makes it that much more great. Unlocking an album of this magnitude takes time, but it is time well worth investing.
Recommended Tracks: 2, 5, 9
My deeply personal inner struggles with the ISIS disbandment has left many emotional scars on me, causing me to have trust issues with post-metal bands. However, there is one outfit that I can always have confidence in: Cult of Luna. With Vertikal, they’ve solidified what I’ve always known: they’re the best active post-metal ensemble right now (come at me Neurosis). And what a way to showcase their vast expertise and knowledge: Vertikal is a concept album that, at its core, deals with a government who is corrupted in a big-brother fashion. With the NSA scandal, never before is such a notion as relevant as it is today, and Vertikal was released before that defamation even occurred. Either Cult of Luna are indeed really good at writing concept albums, or they’re psychics from another dimension. I’m leaning towards the latter.
Recommended Tracks: 2, 6, 8
4) Deafheaven – Sunbather
No band on this list, and potentially in all of metal, shows more blinding potential than San Francisco’s own Deafheaven. Everywhere I look, George Clark (vocalist) is right there with his creepy ass stare. Hell, they were even in an Apple advertisement for fuck’s sake. Combine their increase in popularity with an entrancing live performance, and there’s only one thing missing for this band to blow up: good music. HAH. Just kidding. Sunbather kicks monumental anus. The record perfectly treads the line between uplifting affection and sinister despair.
Recommended Tracks: 1, 5, 7
Talk about coming out of nowhere. By the time I had heard this album for the first time, I already had my top ten list nicely made and organized, and Ovid’s Withering throws their debut album right out of left field to fuck everything up. And I couldn’t be happier about it. Scryers of the Ibis is everything I have ever wanted from a technical metal record, and more that I couldn’t have ever dreamed of. From the absurdly destructive riffs to the intricately and impeccably placed electronic segments, Scryers of the Ibis is one of the greatest debuts of any technical metal outfit in history. Period.
Recommended Tracks: 4, 8, 12
Coal is arguably the most criminally overlooked album this year. It’s also one of the best progressive metal albums in recent years. No more is Leprous just Ihsahn’s “back up band.” Gone is the looming moniker of “Opeth wannabes.” Leprous is a genuinely original band with a hell of a lot of talent, and Coal features every aspect of their incredible musicianship. From Einar’s soaring vocals to the ridiculously catchy rhythms by bassist Martin, this album has everything you would ever want from a progressive metal record. Also, I don’t care what anyone says, but “The Valley” is undoubtedly the best song of the year.
Recommended Tracks: 2, 3, 5
Ultimately, there’s not much to say about a #1 album of the year except to simply yell through your computer LISTEN TO THIS GODDAMN ALBUM OR I WILL SHOVE IT INSIDE YOUR EARHOLES. Assuming you have listened to it, here’s a reason why this is the definitive metal record of the year: it’s a concept album about the motherfucking depths of the ocean written by a band called The Ocean. All kidding aside, Pelagial is, in this humble writer’s opinion, the epitome of a perfectly executed metal record. It’s coherent in every sense of the word. Each song flows flawlessly into each other. Everything is meticulously placed where it should be while still feeling natural and organic. It is the perfect mix of experimentation and execution. There will never be another record quite like Pelagial, and because of it there will never be another year quite like 2013.
Recommended Tracks: 2, 4, 9
1 LEGION OF THE DAMNED Ravenous Plague Napalm
2 ICELAND Iceland Glacier
3 ATOM STRANGE The Lost Cosmonauts RayGun
4 EVERY MAN IS AN ISLAND Beyond Norcal
2 ICELAND Iceland Glacier
3 ATOM STRANGE The Lost Cosmonauts RayGun
4 EVERY MAN IS AN ISLAND Beyond Norcal
1 PROTEST THE HERO Volition Razor and Tie
2 AGHORI Transcending The Illusion THC
3 LORDS OF RUIN Life Is A War [EP] 1605
4 IMPENDING DOOM Death Will Reign eOne
5 AFTER THE BURIAL Wolves Within Sumerian
6 NEGATIVE SKY Death Of The Sun Zenergy
7 NORTHLANE Singularity UNFD
8 APOCALYPTICA Wagner Reloaded BMG
9 SKELETONWITCH Serpents Unleashed Prosthetic
10 PENTAGRAM CHILE The Malefice Metal Blade