Still thinking about Father’s Day? Here’s a song about a father’s love by reggae artist TURBAN X. Fathers are fathers all year long; try to find the time to let them really know how you feel. So along with your words of appreciation, pass along some new reggae music!
Kimya Dawson & Aesop Rock come together as The Uncluded to create the collaborative album Hokey Fright.
At first I was a little hesitant, not knowing what to expect from the unusual collaboration. It was like I was listening to nursery rhymes dubbed over by a rap artist.
The fuse of Kimya’s sweet melancholy singing with Aesop Rock’s stern vocals complete 16 tracks on Hokey Fright. They both deliver clever verses over quirky instrumentals which make for a creative mash-up. While Kimya sweetly sings her way through the tracks, Aesop uses word play masterfully. Tracks like “Teleprompters” and “Delicate Cycle” provide lighthearted instrumentals, while the musicians deliver thought-provoking verses. Meanwhile at the opposite pole, “Superheroes” & “WYHUOM” are carefree and playful tracks.
Some may say that Aesop rapping over Kimya’s strumming guitar and folk singing is awkward, but I believe that this is what makes the album unique and refreshing. Embrace the odd combination! They were destined for greatness once the folk singer and rapper joined forces to create a musical experiment that has set a standard unmet by other artists. This is a perfect album to listen to this summer while riding your bike down the block– headphones in, real world out. Give it a listen!
I had a wonderful chat with Hawaiian reggae music stars Anuhea and Justin Young as they were passing through Northern California, performing at the Reggae in the Hills Festival in Angels Camp. Hear the interview here.
Anuhea & Justin Young have a new song together called Forever Summer; see it below.
Check out this interview I had with Katherine Ramirez of Mystic Roots Band. They will be performing THIS weekend at Reggae in the Hills Music Festival out in Angels Camp, CA. Their new album Campfire came out tuesday June 4th. This is volume one of a two part album so keep your ears tuned for the second half coming out this september.
Break out the bongs. Psych/Stoner Metal band Thinning The Herd is leading this week’s adds for Loud Rock with the album Freedom From The Known St. Marks. Fans of old Black Sabbath, Annihilation Time, and Purple Mercy should be adequately pleased with this finely crafted piece of music. Production quality and recording goes out to the man, the myth, Steve Albini himself so you know its going to be good. For an extra added bonus, check out their ridiculous music video for “Never Wanted”. STAY TRIPPY.
1 THINNING THE HERD Freedom From The Known St. Marks
2 MEGADETH Super Collider Tradecraft
3 BLACK DAHLIA MURDER “Into The Everblack” [Single] Metal Blade
4 WE BUTTER THE BREAD WITH BUTTER Projekt Herz [EP] Heart Work
5 TIMO TOLKKI’S AVALON Land Of New Hope Frontiers
1 DILLINGER ESCAPE PLAN One Of Us Is The Killer Sumerian
2 RETOX YPLL Epitaph
3 BLOOD CEREMONY The Eldritch Dark Rise Above
4 ANVIL Hope In Hell The End
5 SODOM Epitome Of Torture SPV
6 DEMON LUNG Hundredth Name Candlelight
7 ENTRAILS Raging Death Metal Blade
8 ALICE IN CHAINS The Devil Put Dinosaurs Here EMI
9 GHOST B.C. Infestissumam Loma Vista
10 OCEAN Pelagial Metal Blade
Have you ever played the board game ‘Risk’? It’s actually pretty fun. This game, invented by French film director Albert Lamorisse, was originally released as La Conquête du Monde in 1957, and it is one of the longest board game you will ever play. Monopoly might also take a pretty long time to finish, but I wouldn’t know.
(Seeing as I’ve never had the patience to finish a game.)
A simple Google search will show you how the list of the longest play time board games all circle around themes that have engulfed humanity for years, and we’ve yet to win the game. Namely, that of gaining power; as we can see in the war theme of Risk, or Axis and Allies, and the economic theme of Monopoly.
It’s been these struggles and flows that have pushed new forms in shaping us. We have the power to turn obstacles into feats.
The music of the world-music; our most creative form of self and collective expression-is hugely reflective of these pressures and radical shifts in our world’s being. I am particularly fond of music from the Caribbean and the Bahamas. The strange and beautiful complexities of a world soup with a flavor absolutely unique to it. Location and history have given development to music with Latin, European, African, and some Native influences. The recent task of organizing our world music collection brought with it the controversies and questions of…”what goes where?” Where can you make the separations so that it is accurately reflective of the music, and also easy to understand (without needing extensive knowledge of history and geography). The world then isn’t what the world is now. It’s always a “what if” world of possibilities. What if Columbus had better known what he was doing? What if the Taíno people of the Bahamas had a stronger population today? What myriad of styles would could be united? It’s just like when you consider who you are as a person. What if you weren’t ever bullied? What if you hadn’t gone through that “emo” phase? What if your parents had decided not to move into the city after all? What if you hadn’t taken the spontaneous decision to talk to that strange kid from your core class? What if you hadn’t gotten lost and discovered that beautiful park, or that awesome record store? You never know. You can just push through and continue to develop.
Today, the trend towards communication globalization and the spread of the internet means new information and advances can spread fast. “World Music” isn’t just music from different parts of the world, but the world exploring itself through music. Here at KZSC, we might receive music from a French Jazz artist who has been able to explore African and Latin aspects, fallen in love with this artist or style, – which she might not have ever been able to hear about in a different time- delve into the richness of it, and use it to influence her artistic work. And think of the worldwide society of different tinkerers throughout time! From Ben Franklin’s first work on electricity, russian inventor Leon Theremin’s instrument, and Daphne Oram’s new methods of composition… As well as creating a whole new genre of music, technology has led to interesting electronic takes on traditional folk music. And who takes credit for this? No one country can precisely claim the electronic movement.
Risk, with a world reflection reminiscent of that from George Orwell’s 1984, is a game where players attempt to grab,separate, and hold the world. The power of music seeks to stand tall in its original context, and yet be shared.
As the world changes and struggles; so too it can learn and grow.
- Concert review: Lil B at the Catalyst AtriumDecember 18, 2014 - 12:19 pm
- KZSC’s Muzikal Jewz presents… Hanukah Rocks!December 16, 2014 - 10:13 am
- Five O’clock Rock: by Art O’SullivanDecember 11, 2014 - 3:48 pm
- Review of The Birthday Massacre’s “Superstition”December 7, 2014 - 5:40 pm
- New world charts-Beginning of DecemberDecember 3, 2014 - 12:32 pm