Record Review: Glass Boys

Listen with caution! One listen through of this album may leave you couch-locked as a result of your mind being fully blown. Fucked Up’s latest Matador release, Glass Boys, is nothing short of a juggernaut of an album. The band’s first full length LP since 2011’s David Comes to Life, Glass Boys shows just how far Fucked Up has come in terms of musical mastery. It’s melodic, yet ear piercing; polished rock, yet still hardcore. Like many of their previous releases the album starts off soft and gentle, only to unexpectedly lurch into a furious punk rock maelstrom. Track one (Echo Boomer) begins with 27 seconds of new age wind chimes, leaving one with a deep feeling of wonder as to what the hell is about to happen next. A bass drum pounding bars later, a wall of wailing guitars appears wildly to pimp-slap your expectations across the face. With the familiar screaming of Damian “Pink Eyes” Abraham, the album begins in earnest, combining the pure, unfiltered rage of their earlier work with some (but not TOO many) of the softer, “prettier” tendencies of their last two albums. Fucked Up channel the latest installment of their trademark melodic hardcore in a manner we have both come to expect and admire. Pink Eyes’ vocals sound like he may just be poised to kill you, a feeling strongly backed up by high-pitched wailing guitars, pounding drums, vocal harmonies, and overall furious musical intensity. An extremely polished piece of work, Glass Boys is truly a gem, as evidenced by such epic tracks as “Sun Glass” and “Paper the House”. Despite having achieved huge success within the mainstream, Fucked Up use this album to prove that they are no less furiously awesome than they have always been. Released June 2nd, Glass Boys is sure to blast some young, impressionable ear drums in the near future.


R.E.M. – Unplugged 1991/2001: The Complete Sessions Review

On R.E.M.’s new live release showcasing their 1991 and 2001 MTV Unplugged sessions, there are almost two different bands displaying a similar sound. In the first CD that contains the 1991 MTV Unplugged session, there is a young, emotional band that is starting to settle into a sound they are comfortable with but still wants to explore new sounds. The 2001 MTV Unplugged session shows a much older band that has settled into their defining sound and only looks back to the past for their inspiration instead of going forward into new fields of sound.

The 1991 unplugged session is an audio document of R.E.M. At their peak in popularity and sound. Out of Time had just come out, and R.E.M. was just starting to explore new instruments like organs, mandolins, and bongos to add into their music. Michael Stype sounds happy, even on the more somber tracks, consistently through every track and the rest of the band reflects this overall feeling of happiness that dominates the 1991 MTV session. There are some minor mistakes that can be heard over the course of the session that even Michael Stype acknowledges on some of the audio tracks, but it’s the imperfections that make the band and the session seem more real than just an audio recording. It’s as if you were right in front of R.E.M., watching them play their greatest hits in 1991.

The 2001 unplugged session is similar to the 1991 session, but more overall themes can be heard in the 2001 session that aren’t in the 1991 session. It’s as if there is nothing no longer new to R.E.M. that they haven’t already done. There are marimbas, banjos, pianos, and so many other instruments used in this session, but the band feels to comfortable with all of the different instruments. The band doesn’t seem to have that enthusiasm and happiness that was on the 1991 unplugged session. Michael Stype seems almost bored and just treats the session as if it’s just another show; there is nothing new and nothing that no longer excites him. It’s almost sad to hear such a stark contrast in sound in ten years from a young band that was enthusiastic to do anything to a band that knew they could do anything and took that for granted.

– Brandon Oleksy


KZSC Loud Rock CMJ Charts 6/3

Hey, metal listeners! These are the top metal picks for the week.

1 TRAP THEM Blissfucker Prosthetic
2 BURY TOMORROW Runes Nuclear Blast
3 BROTHER FIRETRIBE Diamond in the Fire Pit Spinefarm
4 VOYAGER Voyager IAV/Nightmare
5 HEAVY GLOW Pearls and Swine and Everything Fine Purge
1 MISS MAY I Rise of the Lion Rise
2 PET THE PREACHER The Cave and the Sunlight Napalm Records
3 THE LAST VEGAS Sweet Salvation Culvert
4 WOVENWAR All Rise (Single) Metal Blade
5 AVATAR Hail the Apocalypse eOne Entertainment
6 WHITECHAPEL Our Endless War Metal Blade
7 MUSHROOMHEAD The Righteous and the Butterfly Megaforce
9 BEHEMOTH The Satanist Metal Blade
10 PRONG Ruining Lives SPV



Perfect Pussy – Album Review

Perfect Pussy at the CatalystPerfect Pussy’s full-length first album, Say Yes to Love is a fantastic showcase of the unique, unclassifiable sound that the band has to offer. After the band’s debut EP last year, several people got excited about the band’s future. And after almost a year of waiting, I don’t think fans  will be disappointed. The overall sound can be summed up as a masterfully crafted wall of noise. Guitars mimic the shoegaze bands like Loop and My Bloody Valentine; the drums add a very upbeat, thrashy element to the music. Then there are the vocals-barely coherent from all the feedback added-which are inspired. I think there are some really well orchestrated tracks on the album, but the feedback that dominates over the other instruments gets in the way of the instrumentation on some tracks. The best description of Perfect Pussy’s sound would be “thrash-gaze”; very easy to visualize a mosh pit forming in front of the band at a concert while Perfect Pussy plays their emotionally driven noise. It’s as if D.N.A and Deafheaven got together to record but had really low quality microphones. The album isn’t perfect, but it still leaves you wanting more. After Say Yes to Love, I join the other very curious fans to hear how (and if) the band progresses in sound.

– Brandon Oleksy

The Jazz Adds – Second Week of May


1 TRIOLOGY Triology Cellar Live
2 AMY CERVINI Jazz Country Anzic
3 ARTURO O’FARRILL The Offense Of The Drum Motema
4 CATHERINE RUSSELL Bring It Back Jazz Village
6 NELS CLINE SINGERS Macroscope Mack Avenue
8 CRAIG WUEPPER Storytelling Cellar Live
10 LAUREN KINHAN Circle In A Square Self-Released


1 CRAIG WUEPPER Storytelling Cellar Live
2 PERRY BEEKMAN Bewitched: Perry Beekman Sings And Plays Rodgers And Hart Self-Released
3 DAVID KRAKAUER The Big Picture Self-Released
5 LISA CASALINO I’m Old Fashioned Self-Released