Arantxa Figueroa, better known to listeners as DJ Harvey, began at KZSC last spring as a guest on our sports show “Slug Talk”. After talking soccer over the airwaves and sitting in on friends’ music shows, she got swallowed whole by The Great 88. She took our radio class and began hosting a Britpop show titled “London’s Calling”. DJ Harvey explains, “A close friend was introducing me to new bands and next thing I knew I was stuck on the accent-crazed “BritPop” generation. I fell in love with bands like Pulp, Blur, Suede and Elastica. I knew I wanted to put BritPop in the spotlight, with mellow music and high energy.” In addition to “London’s Calling”, DJ Harvey also subs for others and now serves as KZSC’s PSA Director. Why would a Slug want to volunteer like this? “What attracted me to KZSC ” says Harv (as we are known to call her), “was definitely the wide range of shows. I knew I wanted to have a music program where people could listen to me around the world. I also wanted a ‘voice’ to represent my university, and I found our campus radio station to be the best place for that.” You can listen to DJ Harvey and “London’s Calling” Tuesdays from 4-6 pm on KZSC. And if you send us a misspelled Public Service Announcement, you can thank her for fixing on your behalf.
In January 2004, Luisa Cardoza (aka DJ LC) started spinning music on The Great 88. It all started when she enrolled in our broadcast class while working at the UCSC Ticket Office. Luisa loved our Friday afternoon “Not So Distant Relatives” program so when host DJ Abel graduated, she and DJ Soul Patch (Ben Kutcher) took over. LC also did a great job as part of the longest running women’s radio collective in the world, Breakfast in Bed (Sundays 9-noon) and subbing on “Jazz Kitty” (Saturdays, noon-2). Luisa has recently moved to San Francisco, where she’s hosting the show “Tapestries” on KCSF Radio every Wednesday as part of SF City College’s Broadcast Media program. The station streams live via TuneInRadio with programs also archived on Mixcloud.com. Even though LC is now on a different spot on the dial, she’ll always be a loyal fan of where she got her radio start, KZSC.
This post (and picture) comes courtesy of DJ Compost, one of the hosts of KZSC’s “Dead Energy” program.
Full Disclosure: The last time I saw Laura Marling in concert, it was before I came to KZSC. I used a fake press pass to get into the 21+ venue. With a hand-crafted and surprisingly legitimate looking photo ID badge and the acting skills of Nicholas Cage on a good day, I somehow got into the show. When I told Laura about it after her performance, she called me a “fucking genius” and told me of her own experiences as an underage music aficionado in England where she’d sneak into shows with nothing more than fake DJ equipment and confidence. A bonding moment to remember. I recently saw Laura again at the Great American Music Hall in San Francisco and this time, as a real media-type person. Laura walked on stage to a microphone stand three inches taller than her pixie-like self. Standing on her tiptoes, she timidly chimed “hello,” before beginning to play. I thought she’d adjust her mic to better accommodate her height, but she never did. It seemed strategic for the self-proclaimed and endearingly awkward folk singer to hold her head craned upwards where her eyes could easily travel to the ceiling. She opened with the first four songs from her new album, “Once I Was An Eagle”, each one blending seamlessly into the next, which built to the fifth and angriest track on the album, “Master Hunter.” Laura joked that if she were us, she’d be rioting against hearing new material, then played a pair of brand new songs. Apologizing for her lack of bantering skills, she laughed ironically then announced, “Now for the hits” and played gems from her previous three albums plus a beautiful Townes Van Zandt cover of “For the Sake of the Song.” Laura let us get to know her during the next hour and a half, but only as much as she wanted, keeping parts of herself hidden away-dark, mysterious, vulnerable and inviting at the same time. Closing with “Where Can I Go?” from “Once I Was An Eagle”, Laura cooed gently: “I am cold and I am bright/ It’s a curse of mine to be sad at night.” At 23 years old, she seems to bare more of the world on her shoulders than she should have to; a blessing and a curse as a songwriter. She voices an honest vulnerability that is absolutely inspiring as if she’s swallowed up the entire world and spat out the good in beautiful prose and the bad in fiery spurts of fury. Find out more about Laura Marling at her website and listen for her on KZSC.
In the 1960’s there were few guitarists more prolific and higher profile than Michael Bloomfield. Cutting his teeth with blues masters like Muddy Waters, session playing for Bob Dylan’s famed Highway 61 and backing him up at the legendary “electric” Newport Folk performance of 1965, then serving an essential role in the white rediscovery of the blues with the Paul Butterfield Band before playing at the 1967 Monterey Pop Festival with his own band Electric Flag. What could be considered a career of legendary status for most, it was not a bad decade for Mike. In the 70’s he continued to do session work, collaborating frequently with fellow Dylan alum Al Kooper. Plagued by constant insomnia and personal demons, Bloomfield would die of an overdose in 1981. In an effort to elevate his old friend to the legend status he deserves, Al Kooper put together “From His Head to His Heart to His Hands”, a 3 CD box set showcasing some of his finest work. The DVD documentary, ” Sweet Blues” is included as well, profiling Bloomfield at work through all phases of his professional career. For anyone interested in blues, the San Francisco music scene in the late 60’s or the blues revival in America, this is as good a place as any to start. And when you hear his electric guitar, give a nod to Michael Bloomfield.
February’s programmer of the month is DJ SPONDEE (aka Matt Wranovics) with KZSC’s fuzziest program Fuzz Tone.
Gracing Santa Cruz and the world with the best of noise rock, lo-fi, garage, experimental rock and your daily dose of guitar distortion and reverb, Matt week after week delivers quality programming with a particular passion for rock ‘n roll that’s
hard to find. Rumor has it that the slightest reference to rock in Matt’s presence will light up his face and get him talking about the latest Ty Segall record or Beat Happening demo — he loves the genre, and on Fuzz Tone, it definitely shows.
Matt started volunteering (and became both an asset to the station and a KZSC fixture) in fall 2012 (the start of his freshman year, no less!) and started DJing his own program in summer 2013. He also subbed on some other KZSC favorites, such as Joe’s Garage and Kill Fugly Radio.
Get your fuzz fix every Friday, 7-8:30 p.m. on Fuzz Tone with DJ SPONDEE. You won’t want to miss it.
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